Keyboard Masher mixing up some serious wax gems. Listen to the mix, grab a copy of the record!
Ace review of our latest single from the venerable Philip Sherburne. Thank you kindly Sir.
It’s official - Resista Nr.003 has hit the shelves at Phonica Records with other reputable vinyl emporia soon to follow suit.
Grab a copy from here http://www.phonicarecords.com/product/view/102348
‘Cho Chua’ gets aired
on Tim Sweeney’s BIS show…
Philip Sherburne includes Daphni ‘NPE’ on his mix for Unsound Festival.
We’re pretty chuffed… Thanks!
This is one of the more schizophrenic mixes I’ve ever recorded, but that’s appropriate, I suppose, given the subject matter. The introduction comes from the 1972 film adaptation of Alvin Toffler’s book Future Shock, narrated by Orson Welles. I actually watched the film when I was still in grade school—just 12 or 13 years old, as I recall. I suppose some well-meaning teacher wanted to teach us to think critically about media and technology, but at that age, I remember feeling only baffled. Today, the film (which you can watch on YouTube, appropriately enough)
feels both comically dated and woefully prescient. That collision of sensations dictated the overall shape of the mix, which leans heavily on broken-down techno and tangled retro-futurism. Instead of the streamlined designs and elegant circuitry that electronic music has supposedly promised, this mix is all about shuddering gears and time out of joint.
The majority of it was mixed with vinyl, using two Technics 1210s and an Allen & Heath mixer; the final two tracks, along with additional passages taken from the film, were added in Ableton at the end. Ironically, as difficult as mixing some of the tracks proved, figuring out how to close it all out was infinitely harder. Just like the film says, “Every day we’re bombarded by choices, we need to make instant decisions, we’re in endless combat with our own environment with all its pace and variety, its choice and over-choice.”
1. Intro – Future Shock (1972, narrated by Orson Welles)
2. The Hafler Trio, “Suppressed Noise” [Doublevision 1972/1984]
3. Vibert/Simmonds, “Submarine” [Rephlex 1993]
4. Roswell Return, “A Goldbach Vibe (Clean Cut Remix)” [SD Records
5. Caribou, “Bowls (Holden Remix)” [City Slang 2010]
6. P. Eladan, “Monochordium II” [Muting The Noise 2010]
7. Juju & Jordash, “Chelm Is Dubbing” [Golf Channel Recordings 2011]
8. Morphosis, “Dirty Matter (NWAQ’s Via Mezzacapo Dub)” [Delsin
9. Redshape, “Kracken’s Game” [Present 2011]
10. Terekke, “Damn” [L.I.E.S. 2011]
11. Grackle, “Jungle (Original Mix)” [Discos Capablanca 2008]
12. About Group, “You’re No Good (A Theo Parrish Translation)”
13. Daphni, “NPE” [Resista 2011]
14. Tilt (Trouble Funk), “Arkade Funk” [D.E.T.T. Records 1983]
15. Autechre, “Lost” [Warp 1994]
16. Laurel Halo, “Strength In Free Space” [Hippos In Tanks 2011]
Nice words from Boomkat! Thanks guys.
Daphni aka Caribou drops a second set of cherry-picked edits on Resista. A blend of studio wizardry and instinctive dancefloor knowledge makes for some terrific finds here. The A-side tweaks and lengthens the “psychedelic primary school disco” of New Zealand’s Orchestra Of The Sphere’s on a brilliant, uptempo disco-punk romper. Turn it over and his sights are set on West Africa for another accelerated disco burner with tucked drums synced to sunny guitar licks for an instant charmer.